Five albums in, I think it’s safe to make some general
statements on the career of the band. Vomitory plays death metal. Vomitory
plays death metal very, very well. They have the brutality of the American scene
and the melody and guitar work of their native Sweden. Lyrically, they cover a
lot of the standard death metal bases of gore, violence and murder, and killing
and demons, and war, not content to stick to one content approach like many
other bands do. Truly, Vomitory is a smorgasbord of death metal, with something
for everyone because everyone likes something.
Saturday, October 15, 2016
Mass Burial –Vomitory, Primal Massacre
Album number five for the Swedish death metal machine that
was Vomitory. Back in the old days of the early 2000s, I would stop at a local
record store every single payday. I would get out of work, deposit my check (in
the dark ages before we all had Direct Deposit, miracle that that is….) and
head to the same store, regardless of where I was working. Maybe I’d put off my
trip until I was on my way out for the evening, but regardless: like clockwork,
every other Friday took me record shopping. I would walk around this store and
look at practically any and every release that even appeared to be metal
related. And every single trip would culminate with me buying a stack of new
CDs, often times about one hundred dollars’ worth of new music at a time.
Mass Burial – Vomitory, Blood Rapture
Long, long ago, I owned two Vomitory records: this, from
2002, and its 2004 follow up Primal
Massacre. I knew them both as quality death metal records, but was not at
all familiar with the band as a unit.
Wednesday, October 5, 2016
Mass Burial – Vomitory, Revelation Nausea
Oh, 2001. A new millennium was upon us, but we had the same
old Vomitory. Whatever that may mean to you, understand that I mean it in a
positive way.
Revelation Nausea
would feature another new vocalist, this time Erik Rundqvist, who would deliver
the growls for the remaining Vomitory albums. His is a good, strong, satisfying
death metal growl, closer to the style of Raped
in Their Own Blood than Redemption.
Mass Burial –Vomitory, Redemption
The second record by Sweden’s Vomitory, “Redemption” was
released in 1999.
Differences from Raped
in Their Own Blood are noticeable immediately: the cover art has shifted
over to the painted skeleton-in-a-crypt motif, away from the actual picture
used for the first album. The music is a bit thrashier than the previous album,
and oh, man, a new vocalist. Jussi Linna handles the vocal duties here, and I
can’t find out much about him. It actually seems like a brief stint with
Vomitory was his only real contribution to the metal scene.
Mass Burial – Vomitory, Raped in Their Own Blood
The first ever Child Sized Coffin discography project is
dedicated to Swedish death metal band Vomitory. I have a little bit of
familiarity with the band, having heard two of their albums a number of years
ago,
Vomitory’s first album, 1996’s Raped in Their Own Blood, is a solid piece of mid-90s death metal.
Everything about this album says ‘solid death metal’: the cover art is some
fairly generic murder scene photo, the kind of thing that in 1996 would have
been extreme and all, but looks pretty cheesy today. Ten songs of brutal,
straightforward death metal, with the standard titles as well.
Coffin Shaker –Mass Burial Announcement
Hello again, Coffin friends,
About a week ago, I made a post announcing some new features
I was hoping to add to the Child Sized Coffin; one of them was a fairly
ambitious music project wherein I’d take on an entire discography by a single
band. After some deliberation, I am pleased to make the following announcement:
A new feature is coming to the Coffin! Entitled the MASS
BURIAL, this new column will focus on reviewing an entire discography from a
single band.





